SATURDAY MORNING WORKSHOPS – 10:30am-1:30pm

10/5 – 1 Session Workshop: Landscape, Levitan Master Copy

10/29, 11/2 & 11/9 – 3 Session Workshop: Landscape, Copying the Hudson River School

11/16, 11/23 & 11/30 – 3 Session Workshop: Still Life

12/7 & 12/14 – 2 Session Workshop: Painting a Rose

Our Saturday Morning workshops are perfect for those who are unable to attend our part-time and full-time programs. These workshops have a lesser time commitment but cover many of the things that our part-time and full-time students learn.

The basics of composition, light and shadow and color theory are explored in each.

To register today, click here!

PAINTING THE WAY TO THE MOON: Ed Belbruno

November 22nd, 2019

5:30pm-7:30pm

How is it possible to find a new route to the moon using a painting? In this talk we’ll show how art was used to drastically rescue a stranded Japanese lunar spacecraft. The mysterious properties of the moon are explored together with Ed’s art.

Ed Belbruno is both an artist and mathematician. His work in chaos led to a new route to the Moon that rescued a Japanese spacecraft.  Ed has been painting since the age of 7, where he first painted a landscape of Saturn’s moon Titan. He exhibits his work throughout the world and is represented by Agora Gallery in NYC. One of his paintings is in the NASA Smithsonian collection in Washington, DC.  He recently received Germany’s Humboldt award.


PORTRAIT DRAWING MASTER CLASS: Gilberto Geraldo

October 7th-11th, 2019

Please join us for another fantastic Master Class with Gilberto Geraldo.

Gilberto is a Brazilian born artist who has studied at both the V.A. Surikov Institute Moscow and the I.E. Repin State Institute of Painting, Sculpture and Architecture in St. Petersburg, Russia. He currently lives and works in St. Petersburg, but has been traveling internationally to instruct workshops.

This master class will begin with a portrait drawing demo done by Gilberto. Students will work from the model for the remaining 4 days to complete a well composed and rendered drawing.

With a focus on human anatomy, perspective, and tactile approaches to analyzing form, students will build a better understanding of the portrait. The workshop will enforce a constructive academic approach to drawing while introducing students to atmospheric perspective.

Students will learn about Gilberto’s preference of paper and other materials while thoroughly analyzing the human skull and features.

Unable to commit to the full week? You can attend the portrait drawing demo separately from the rest of the master class.

DEMO DAY – 10/7 11:00am – 5:00pm

DRAWING DAYS – 10/8 – 10/11 10:30am – 5:00pm

Spaces still available sign up today!

SCULPTING THE HEAD: The Russian Method – James Sondow

July 24th – 26th, 2019

This workshop will introduce students to the Russian Academic method of conceptualizing and sculpting the human head, which relies heavily on construction, composition, and the anatomical underpinnings of idealized classicist form from antiquity. Students will be guided to see the head through strong clear demarcation of planes that integrate the proportion, likeness, and features of the model. This will provide conviction to students’ decisions as they are pushed past simple silhouettes to think three dimensionally and feel how the various anatomical planes flow together and bind a complex set of distinct anatomical structures into the totality that is sculpture.  This approach is part of a living tradition that has passed down through an unbroken chain of generations since the Russian Academy’s inception over 250 years ago.A native New Yorker, James was first introduced to figurative drawing in his teens at the Art Students’ League and Hunter College High School. After graduating from Oberlin College in 1996, James taught art for the next decade at the Rubin Museum, Saint Ann’s School, and various public schools while refining his craft, studying life drawing, painting, and sculpture at Pratt, SVA, and the Art Students’ League. In 2003, he began his classical training in the Russian academic method at Bridgeview School of Fine Arts in New York City. Two years of intensive summer study at Russia’s premier art academy, the Ilya Repin Institute of Painting, Sculpture, and Architecture, cemented James’ affinity for their thorough program and their strict teaching methodology. Relocating to St. Petersburg from 2007 to 2012, James became the first American accepted to the Repin Institute’s sculpture department in over 20 years. After a three-year hiatus, in which he taught sculpture and drawing at the Beaux-Arts Academy in New York and Rome, he returned to the Repin Academy in Russia from 2015-2017 to become the only American to graduate with highest honors and be offered a solo show at the Academy. He has exhibited both drawing and sculpture in New York City and St. Petersburg and received various awards including the Gloria Medal at the National Sculpture Competition held at the New York Academy of Art.Students will work from a live model all 3 days of the workshop. Model fee and supply fee included in the price.